We've now reached the final leg of "City of Bane" and the true climax of Tom King's Batman run. After Batman #83, there are only two more issues before King leaves the series and transitions over to Batman/Catwoman. The series is still struggling even at this late stage to create a true sense of urgency and finality. But issue #83 does accomplish at least one important goal as it provides closure to the latest grand tragedy in Bruce Wayne's life.
While Bane murdering Alfred in Batman #77 ranks among the darkest developments in an already bleak series, it's been difficult to know whether to take that death at face value. There are too many potential ways in which it could be undone or revealed as a red herring. Only with the recent announcement of the epilogue special Batman: Pennyworth RIP did it become clear Alfred's death is actually going stick (for the time being, at least). The problem with that upcoming issue is that it doesn't feature any work from King himself. Surely the writer responsible for killing off Bruce Wayne's oldest and dearest ally should have a say in sending him off. That's where Batman #83 comes in.
While this issue does little to alleviate the overall poor pacing of "City of Bane," it does at least justify the decision to pause and reflect on the Bruce/Alfred relationship in greater depth. This is exactly the kind of story we needed to see after Batman #55 and didn't get - a story where Batman mourns the loss of a pivotal ally. That this series so quickly and carelessly discarded Dick Grayson after Dick's near-fatal shooting will always be a deep stain on King's Batman run. But with Alfred, at least, the series takes the time to explore the fallout of that tragedy and allow Bruce to react as any grieving son would at the unexpected death of their father.
King and artist Mikel Janin frame this issue as a mostly silent story, where the images of a violently grief-stricken Batman are juxtaposed with text from a farewell letter Alfred wrote shortly before his death. The fact that Alfred is depicted as a man with full knowledge and acceptance of the fate awaiting him really makes all the difference here. Before, his death had a slightly hollow ring to it, as if the series needed one last tragedy to ramp up the tension before Bruce's ultimate triumph. But reading Alfred's perspective on these matters and realizing his death was less a senseless tragedy than a noble sacrifice brings much more weight to the situation.



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